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Fayl:1886, Degas, The Morning Bath.jpg

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Dega Iler Jermen Edgar: The Morning Bath  wikidata:Q123371282 reasonator:Q123371282
Artist
Dega Iler Jermen Edgar  (1834–1917)  wikidata:Q46373 s:fr:Auteur:Edgar Degas q:en:Edgar Degas
 
Dega Iler Jermen Edgar
Alternative names
Edgar Germain Hilaire Degas
Description French rassom, haykaltarosh, Shoir, printmaker, fotograf va drawer
Date of birth/death 19 Iyul 1834 Edit this at Wikidata 27 Sentyabr 1917 Edit this at Wikidata
Location of birth/death Parij Parij
Work location
Parij; Belgiya; Florensiya; London Edit this at Wikidata
Hokimiyat nazorati
artist QS:P170,Q46373
image of artwork listed in title parameter on this page
Title
The Morning Bath
label QS:Len,"The Morning Bath"
Object type rasm
object_type QS:P31,Q3305213
Taʼrif
English: Degas was drawn to the pastel medium because it provided both rich color and spontaneous line in the same drawn stroke. Here, the viewer’s unobserved glimpse of a nude bather awash in the soft morning light suggests an immediacy of vision that appealed to Degas, who wanted to capture the transitory quality of modern life. When the artist displayed this pastel, along with others of women bathing and drying themselves, at the Impressionist exhibition of 1886, its uncompromising realism provoked a tirade of negative criticism, resulting in the popular sobriquet La boulangère (The Baker’s Wife), deriding the nude’s unfashionably plump figure. -gallery label from the Princeton University Art Museum
Sanasi circa 1886
date QS:P571,+1886-00-00T00:00:00Z/9,P1480,Q5727902
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions balandligi/bo'yi: 52,1 cm; width: 67 cm
dimensions QS:P2048,52.1U174728
dimensions QS:P2049,67U174728

frame dimensions: balandligi/bo'yi: 78,2 cm; width: 95 cm; depth: 6 cm
dimensions QS:P2048,78.2U174728
dimensions QS:P2049,95U174728
dimensions QS:P5524,6U174728
institution QS:P195,Q2603905
Current location
European art, Modern art
Accession number
L.1988.62.9
Object history
  • Josse (1870–1941) and Gaston (1870–1953) Bernheim-Jeune, Paris, by 1914. Mrs. C. Matthyssen, Paris;
  • [sold as a share to Galerie Durand-Ruel and Galerie Bernheim-Jeune, Paris, 26 March 1921];
  • [full share sold to Galerie Bernheim-Jeune, Paris, 13 Mar. 1922].
  • Sold at auction, Hotel Drouot, Paris, Tableaux modernes…provenant de la collection "L'art moderne" [Lucerne], 20 June 1935, no. 7;
  • bought by M. Clerc.
  • [Possibly with Galerie Bernheim-Jeune, Paris].
  • David-Weill collection, Paris, by 1947.
  • [Galerie Krugier et Cie, Geneva]. Henry Pearlman, by 1966;
  • Henry and Rose Pearlman Foundation, after 1974.
Exhibition history
  • Degas: Réunion des musées nationaux, Musée du Louvre (9 Feb 1988 – 16 May 1988); National Gallery of Canada (16 Jun 1988 – 28 Aug 1988); The Metropolitan Museum of Art (27 Sep 1988 – 8 Jan 1989)
  • The New Painting: Impressionism 1874-1886: National Gallery of Art, Washington D.C. (16 Jan 1986 – 6 Apr 1996); Fine Arts Museums of San Francisco, California (19 Apr 1986 – 6 Jul 1986)
  • An Exhibition of Paintings, Watercolors, Sculpture and Drawings from the Collection of Mr. and Mrs. Henry Pearlman and the Henry and Rose Pearlman Foundation: Brooklyn Museum (22 May 1974 – 29 Sep 1974); Princeton University Art Museum (8 Dec 1974 – 14 Ma
  • 8e Exposition des Impressionistes: 1 rue Lafitte, Paris (15 May 1886 – 15 Jun 1886)
Credit line The Henry and Rose Pearlman Foundation, on long-term loan to the Princeton University Art Museum
Notes Lemoisne (1946) 877
References
Source/Photographer Princeton University Art Museum
Ruxsat
(Bu faylning takror foydalanilishi)
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1917, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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The Morning Bath inglizcha

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