Puerto-Riko davlat madhiyasi

"La Borinqueña" (Puerto-Riko, Borinquen yoki Boriquen ona nomidan), ispancha talaffuzi: [la boɾiŋˈkeɲa]) — Puerto-Rikoning rasmiy madhiyasi.

Soʻz muallif(lar)i	Manuel Fernández Juncos, 1901
Bastakor	Félix Astol Artés, 1867 Luis Miranda, 1922
Qabul qilindi	1952-yil

1952-yilda Puerto-Riko „Puerto-Riko Hamdoʻstligi“ nomi bilan tanilganidan soʻng, birinchi saylangan gubernator Luis Muñoz Marín 1952-yil 24-iyuldagi № 2 qonunni imzoladi, ushbu qonunga muvofiq mamlakat madhiyasi qabul qilindi. Tarkibga mos keladigan soʻzlar 1977-yil 27-iyulda 123-sonli qonunga binoan gubernator Carlos Romero Barceló tomonidan tasdiqlangan.

Etimologiya

Sarlavha Puerto-Riko, Borinquén orolining aborigencha Taino nomiga ishora qiladi.

Tarixi

Manuel Fernandez Juncos, „La Borinqueña“ning rasman qabul qilingan matn muallifi

Musiqa 1867-yilda Félix Astol Artésga taqdim etilganligi haqida taxminlar bor, ammo baʼzi dalillar bor, asli San- Germanlik Francisco Ramires musiqani 1860-yilda yozgan va unga „La Almojabana“ deb nom bergan. 1868-yilda Lola Rodriges de Tio Puerto-Riko inqilobini qoʻllab-quvvatlab, Ramirez/Astol musiqasiga moslashtirilgan sheʼr yozdi. Ispaniya hukumati tomonidan tergov qilinishidan qoʻrqib, Ramires Astoldan musiqa muallifi ekanligini daʼvo qilishni soʻradi, chunki u Kataloniyalik boʻlgan va shuning uchun hech qanday shubha tugʻdirmaydi deb hisoblagan.

Orol Amerika Qoʻshma Shtatlariga berilganidan soʻng, Lola Rodriges de Tioning mashhur inqilobiy qoʻshiqlari rasmiy qabul qilish uchun juda qoʻpol deb topildi. Shu sababli, 1903-yilda Asturiyada tugʻilgan Manuel Fernández Juncos tomonidan yangi matni yozilgan. Ushbu qoʻshiq 1952-yilda gubernator Luis Muñoz Marín tomonidan rasman Puerto-Riko milliy madhiyasi sifatida qabul qilingan va soʻzlar 1977-yilda gubernator Carlos Romero Barcelo tomonidan qabul qilingan.

„La Borinqueña“ning bugungi kunda eng koʻp ijro etiladigan versiyasi asl kuyning boshlangʻich sekin templi marsh sifatida ijro etilishidir. Yangi hukumatning iltimosiga koʻra, Ramon Collado musiqani koʻproq harbiy ohangga aylantirdi. Puerto-Rikoning 65-piyoda polkining musiqiy direktori Luis Miranda kuyni 1922-yilda marsh sifatida ijro etishga moslashtirgan. 1977-yilgi qonunda rasman soʻzlarni qabul qilgan „La Borinqueña“ marsh sifatida ijro etilishi koʻrsatilgan.

Puerto-Rikoning 1952-yil 24-iyuldagi 2-sonli qonuniga koʻra, „La Borinqueña“ ham, „Yulduzli bayroq“ ham rasmiy tadbirlarda ijro etiladi. Olimpiada oʻyinlari kabi xalqaro sport musobaqalarida faqat „La Borinqueña“ ijro etiladi.

Matn

Hozirgi matn

Ispan tilida

Ingliz tilida

La tierra de Borinquén donde he nacido yo es un jardín florido de mágico primor. Un cielo siempre nítido le sirve de dosel y dan arrullos plácidos las olas a sus pies. Cuando a sus playas llegó Colón (𝄆) exclamó, lleno de admiración: (𝄇) ¡Oh!, ¡oh!, ¡oh!, Esta es la linda tierra que busco yo; Es Borinquén la hija, la hija del mar y el sol, 𝄆 Del mar y el sol, del mar y el sol. 𝄇}}

The land of Borinquén where I was born is a flowery garden of magical beauty. A constantly clear sky serves as its canopy. And placid lullabies are sung by the waves at its feet. When at her beaches Columbus arrived; (𝄆) he exclaimed full of admiration (𝄇) Oh! Oh! Oh! This is the beautiful land that I seek. Borinquén is the daughter, the daughter of the sea and the sun. 𝄆 Of the sea and the sun, of the sea and the sun. 𝄇

1868-yilgi matn

Lola Rodríguez de Tió, asl matn muallifi

Ispan tilida

Ingliz tilida

I ¡Despierta, borinqueño que han dado la señal! ¡Despierta de ese sueño que es hora de luchar! A ese llamar patriótico ¿no arde tu corazón? ¡Ven! Nos será simpático el ruido del cañón. Mira, ya el cubano libre será; 𝄆 le dará el machete su libertad. 𝄇 Ya el tambor guerrero dice en su son, que es la manigua el sitio, el sitio de la reunión, 𝄆 de la reunión, de la reunión. 𝄇 (El Grito de Lares se ha de repetir, y entonces sabremos vencer o morir.) II Bellísima Borinquén, a Cuba hay que seguir; tú tienes bravos hijos que quieren combatir. ya por más tiempo impávido no podemos estar, ya no queremos, tímidos dejarnos subyugar. Nosotros queremos ser libre ya, 𝄆 y nuestro machete afilado está. 𝄇 ¿Por qué, entonces, nosotros hemos de estar, tan dormidos y sordos y sordos a esa señal? 𝄆 a esa señal, a esa señal? 𝄇 III No hay que temer, riqueños al ruido del cañón, que salvar a la patria es deber del corazón! ya no queremos déspotas, caiga el tirano ya, las mujeres indómitas también sabrán luchar. Nosotros queremos la libertad, 𝄆 y nuestro machete nos la dará. 𝄇 Vámonos, borinqueños, vámonos ya, que nos espera ansiosa, ansiosa la libertad. 𝄆 ¡La libertad, la libertad! 𝄇}}

I Arise, boricua! The call to arms has sounded! Awake from the slumber, it is time to fight! Doesnʼt this patriotic call set your heart alight? Come! We are in tune with the roar of the cannon. Come, Come, the Cuban will soon be freed; 𝄆 the machete will give him his liberty. 𝄇 Now the drums of war speak with their music, that the jungle is the place, the meeting place. 𝄆 The meeting, The meeting. 𝄇 (The Cry of Lares must be repeated, and then we will know: victory or death.) II Beautiful Borinquén must follow Cuba; you have brave sons who wish to fight. Now, no longer can we be unmoved; now we do not want timidly to let them subjugate us. We want to be free now, 𝄆 and our machete has been sharpened. 𝄇 Why, then, have we been so sleepy and deaf and deaf to the call? 𝄆 To the call, to the call? 𝄇 III There is no need to fear, Ricans, the roar of the cannon; saving the nation is the duty of the heart. We no longer want despots, tyranny shall fall now; the unconquerable women also will know how to fight. We want freedom, 𝄆 and our machete will give it to us. 𝄇 Come, Boricuas, come now, since anxiously awaits us anxiously, freedom, 𝄆 freedom, freedom! 𝄇

Havolalar

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