Chhabi Biswas
Chhabi Biswas (talaffuzi: Chabi Biśbās 1900-yil 13-iyul — 1962-yil 11-iyun)[1] — hind aktyori. U asosan Tapan Sinhaning Kabuliwala va Satyajit Reyning Jalshaghar (Musiqa xonasi1958), Devi (Maʼbuda1960) va Kanchenjungha (1962) filmlaridagi rollari bilan tanilgan.
| Chhabi Biswas | |
|---|---|
| Tavalludi |
Sachindranath Biswas 13-iyul 1900-yil |
| Vafoti |
11-iyun 1962-yil (61 yoshda) Naktala, Kolkata, Gʻarbiy Bengal, Hindiston |
| Fuqaroligi | Hindiston, Britaniya Hindistoni va Hindiston ittifoqi |
| Kasbi | Aktyor |
| Faoliyat yillari | 1931—1962-yillar |
| Mukofotlari | Sangeet Natak Akademi Award (1960) |
U eng zoʻr aristokratik patriarx sifatidagi koʻp sonli rollari bilan esga olinadi va oʻzi boy va madaniyatli Shimoliy Kolkata oilasining farzandi edi[2]. Chhabi 1900-yil 12-iyulda tugʻilgan. Uning otasi Bhupatinath Biswas xayriya ishlari bilan shugʻullanar edi. Uning asl ismi Sachindranath lekin onasi oʻgʻliga Chhabi laqabini qoʻydi (ism manosi: chiroyli rasm!). Uning salbiy qahramonlaridan dahshatli ota qiyofasi tasviri, garchi tez-tez takrorlangan boʻlsa ham, mashhur va tanqidiy maqtovlarga sazovor boʻlish uchun etarlicha kuchli va ishonchli edi. Bu tasvir madaniy jihatdan ahamiyatli edi, xuddi Britaniya Rajida boʻlgani kabi, maʼrifatli bengal tili ham hoary anʼanalarini, ham inglizlashgan shaharlikni birlashtirgan.
Hayoti va kinodagi faoliyati
tahrirHindu maktabida oʻqishga kirish imtihonlarini topshirib, Chhabi Biswas Prezidentlik kollejiga, keyinroq Vidyasagar kollejiga oʻqishga kirdi. Aynan shu davrda u havaskorlar teatriga aʼzo boʻldi, Bengal teatrining afsonaviy yulduzi Sisir Kumar Bhaduri bilan tanishdi. Yosh aktyor Sisir Kumarning tarixiy qobiliyatiga qoyil qoldi va u bir nechta havaskor teatr klublarida faol ishtirok eta olishiga yoʻl ochdi. Uning „Nader Nimai“ spektaklidagi Shri Gouranga rolidagi kuchli ijrosi Biswasning oʻsha davrdagi teatr ixlosmandlari orasida mashhurlikni olib keldi. Keyin u aktyorlik faoliyatidan tanaffus olib, sugʻurta kompaniyasiga ishlay boshladi. Keyinchalik jut mahsulotlari bilan shugʻullanadigan biznesni boshladi. Ammo koʻp oʻtmay Biswas yana teatrga qoʻshildi va Samaj ijtimoiy-melodramida professional aktyor sifatida debyut qildi. Kino aktyori sifatidagi muvaffaqiyatidan keyin Biswas professional sahna va Jatra sxemasi bilan aloqasini davom ettirdi. Uning Shoroshi (1940), Sita (1940), Kedar Roy (1941) va Shahjehan (1941) kabi mashhur spektakllardagi asosiy rollari uni tomoshabinlar va tengdoshlari orasida mashhurlikni olib keldi. 1936-yilda Biswas Annapurnar Mandir nomli filmda oʻzining kinodagi debyutini qildi. Film rejissyori Tinkari Chakraborti, Biswas esa qahramonning eri Bishu rolini ijro etgan. U Yangi Teatrlar tomonidan ishlab chiqarilgan filmlarda muntazam ishtirok etgan va Chokker Bali (1937), Nimai Sannyas (1940) va Pratisruti (1941) filmlarida asosiy rollarni rol ijro etgan. U Debaki Bosening „Nartaki“ (1940) filmida 90 yoshli epizodni qoyilmaqom qilib ijro etgan. Ajablanarlisi shundaki, uning Nartakidagi muvaffaqiyati uning bosh rollarni ijro etish imkoniyatlarini cheklab qoʻydi, ammo uning qahramon aktyor sifatidagi obroʻsi oʻsha vaqtda mustahkam oʻrin egallagan edi. Biswasning aktyor sifatidagi ikkinchi muvofaqqiyatli filmlaridan boshlandi va u deyarli koʻplab filmlarida ota-ona yoki zodagon personajlarini ijro etadigan malakali aktyorga aylandi. Biswas (pahadi Sanyal va Bikash Roy bilan maʼlum darajada) oʻzining mukammal ingliz tilidagi dictionidan foydalanib, dramatik dialogni dastlab ingliz tilida, soʻngra pauzadan soʻng bengal tilida takrorlashning oʻziga xos usulini ishlab chiqdi. „Ashok“ (1942), „Parineeta“ (1942), „Dwanda“ (1943), „Matir Ghar“ (1944), „Dui Purush“ (1945), „Biraj Bou“ (1946), „Mandana“ (1950) kabi filmlar uning yuksak saviyadagi aktyor sifatidagi iqtidorini namoyon etgan.
1958-yilda Satyajit Rayga Jalsagʻarda keksa aristokrat rolini ijro etishi uchun kimdir kerak boʻlganda, Biswas avtomatik ravishda tanlov edi. Keyinchalik, Biswas yana ikkita Ray filmida rol ijro etgan; Devi (1960) va Kanchenjungha (1962).
Chhabi Biswas 1962-yil 11-iyunda avtohalokatda 61 yoshida vafot etdi. Keyinchalik Satyajit Ray shunday deb yozgan edi:
Jalsgahar, Devi, Kanchenjunga, filmlarining hammasi Chhabi Biswas bilan va uning o'zi uchun yozilgan. U vafot etganidan beri men yuqori darajadagi professional iste'dodni talab qiladigan biron bir o'rta yoshli qism yozmadim[3].
Filmografiyasii
tahrir| Chiqarilgan yili | Sarlavha | Rol | direktor | Izohlar |
|---|---|---|---|---|
| 1936 | Annapurnar Mandir | Bishu | Tinkari Chakraborty | |
| 1937 | Haranidhi | Tinkari Chakraborty | ||
| 1938 | Chokher Bali | Bihari | Satu Sen | |
| 1939 | Chanakya | Sikandar | Sisir Kumar Bhaduri | |
| 1939 | Sharmistha | Naresh Mitra | ||
| 1940 | Nimai Sanyasi | Nimai | Phani Burma | |
| 1940 | Nartaki | Swamiji | Debaki Bose | |
| 1940 | Swami Stri | Satu Sen | ||
| 1941 | Pratisruti | Paritosh | Hemchandra Chunder | |
| 1941 | Pratishodh | Sushil Majumdar | ||
| 1941 | Karnarjun | Karna | Jyotish Bandyopadhyay | |
| 1941 | Epar Opar | Ramen | Sukumar Dasgupta | |
| 1941 | Banglar Meye | Naresh Mitra | ||
| 1942 | Jiban Sangini | Naren Choudhury | Gunamaya Bannerjee | |
| 1942 | Saugandh | Hemchandra Chunder | ||
| 1942 | Pashan Devata | Sukumar Dasgupta | ||
| 1942 | Milan | Paresh | Jyotish Bannerji | |
| 1942 | Mahakabi Kalidas | Niren Lahiri | ||
| 1942 | Garmil | Mukherjee | Niren Lahiri | |
| 1942 | Avayer Biye | Sushil Majumdar | ||
| 1942 | Shodhbodh | Saumyen Mukherji | ||
| 1942 | Nari | Prafulla Roy | ||
| 1942 | Bondi | Sailajanand Mukherji | ||
| 1942 | Parineeta | Pasupati Chatterjee | ||
| 1942 | Ashok | Ajay Bhattacharya | ||
| 1942 | Pativrata | Jagadish Chakraborty | ||
| 1942 | Mahakavi Kalidas | Niren Lahiri | ||
| 1943 | Dwanda | Hemen Gupta | ||
| 1943 | Dikshul | Premankur Atorthy | ||
| 1943 | Devar | Rabin | Jyotish Bannerji | |
| 1943 | Dampati | Niren Lahiri | ||
| 1943 | Nilanguriya | Gunamaya Bannerjee | ||
| 1943 | Daabi | Dhirendranath Ganguly | ||
| 1943 | Aleya | Nabendusundar | ||
| 1943 | Samadhan | Premendra Mitra | ||
| 1944 | Chhadmabeshi | Ajay Bhattacharya | ||
| 1944 | Matir Ghar | Alok | Hari Bhanja | |
| 1944 | Pratikar | Chhabi Biswas | ||
| 1945 | Bondita | Hemanta Gupta | ||
| 1945 | Dui Purush | Nutu Bihari | Subodh Mitra | |
| 1945 | Rajlaxmi | Premendra Mitra | ||
| 1945 | Path Bendhe Dilo | Premendra Mitra | ||
| 1945 | Sree Durga | Sailajananda Mukherjee | ||
| 1945 | Raj Lakshmi | Premendra Mitra | ||
| 1946 | Sangram | Ardhendu Mukherjee | ||
| 1946 | Tumi Aar Aami | Apurba Kumar Mitra | ||
| 1946 | Prem Ki Duniya | Jyotish Bannerjee | ||
| 1946 | Mandir | Phani Burma | ||
| 1946 | Biraj Bou | Nilambar | Amar Mullick | |
| 1946 | Vande Mataram | Sudhirbandhu Bannerjee | ||
| 1946 | Nibedita | Pratibha Sasmal | ||
| 1946 | Saat Number Bari | Sukumar Dasgupta | ||
| 1947 | Chandrasekhar | Chandrasekhar | Debaki Bose | |
| 1947 | Abhijog | Sushil Majumdar | ||
| 1947 | Nurse Sisi | Subodh Mitra | ||
| 1948 | Anirban | Soumyen Mukherjee | ||
| 1948 | Shesh Nibedan | Dhirendranath Ganguly | ||
| 1948 | Sadharan Meye | Niren Lahiri | ||
| 1948 | Nandaranir Sansar | Surendraranjan Sarkar | ||
| 1948 | Shankha Sindur | Manujendra Bhanja | ||
| 1948 | Umar Prem | Khagen Roy | ||
| 1948 | Drishtidaan | Nitin Bose | ||
| 1949 | Manzoor | Subodh Mitra | ||
| 1949 | Debi Chowdhurani | Satish Dangupta | ||
| 1949 | Jar Jetha Ghar | Chhabi Biswas | ||
| 1949 | Singhdwar | Niren Lahiri | ||
| 1950 | Garabini | Niren Lahiri | ||
| 1950 | Mandanda | Ratan Chatterjee | ||
| 1950 | Vidyasagar | Kali Prasad Ghose | ||
| 1950 | Mahasampad | Surendraranjan Sarkar | ||
| 1951 | Anurag | Jatin Das | ||
| 1951 | Kalsap | Khagen Roy | ||
| 1951 | Maldar | Amit Moitra | ||
| 1951 | Biplabi Kshudiram | Hiranmoy Sen | ||
| 1951 | Aparajita | Partha Sarathy Drama | ||
| 1951 | Durgesh Nandini | Katlu Khan | Amar Mullick | |
| 1951 | Sunandar Biye | Sudhir Sarkar | ||
| 1952 | Ratrir Tapashya | Sushil Majumdar | ||
| 1952 | Krishnakanter Will | Khagen Roy | ||
| 1952 | Nirakshar | Gunamaya Bannerjee | ||
| 1952 | Prarthana | Pranab Roy | ||
| 1952 | Alladdin-o-ashcharya Pradeep | Bijon Sen | ||
| 1952 | Kar Pape | Kali Prasad Ghose | Dr. Bose | |
| 1952 | Jabanbondi | Amar Dutta | ||
| 1952 | Subhada | Haran Chandra | Niren Lahiri | |
| 1952 | Vidyasagar | Kali Prasad Ghose | ||
| 1953 | Raja Krishnachandra | Sudhirbandhu Bannerjee | ||
| 1953 | Shesher Kabita | Abanish | Modhu Bose | |
| 1953 | Saat Number Kayedi | Sukumar Dasgupta | ||
| 1953 | Lakh Taka | Niren Lahiri | ||
| 1953 | Jog Biyog | Pinaki Mukherji | ||
| 1953 | Boudir Bon | Khagen Roy | ||
| 1953 | Sabuj Paharh | Apurba Kumar Mitra | ||
| 1953 | Baimanik | Shyam Chakraborty | ||
| 1953 | Blind Lane | Sailajananda Mukherjee | ||
| 1953 | Makarsar Jaal | Pashupati Kundu | ||
| 1954 | সতী বেউলা (চলচ্চিত্ৰ), সতী বেউলা | Sunil Ganguly | ||
| 1954 | Bidhilipi | Jagadish Babu | Manu Sen | |
| 1954 | সতী বেউলা (চলচ্চিত্ৰ), সতী বেউলা | Sunil Ganguly | ||
| 1954 | Shorashi | Jibananda Choudhury | Pasupati Chatterjee | |
| 1954 | Sadanander Mela | Mamubhai | Sukumar Dasgupta | |
| 1954 | Ora Thake Odhare | Sukumar Dasgupta | ||
| 1954 | Jadubhatta | Niren Lahiri | ||
| 1954 | Dhuli | Pinaki Mukherjee | ||
| 1954 | Chheley Kaar | Chitta Bose | ||
| 1954 | Bhanga Gora | Jogen | Sushil Majumdar | |
| 1954 | Prafulla | Chitta Bose | ||
| 1954 | Banglar Nari | Sailajananda Mukherjee | ||
| 1954 | Naa | Tarasankar Bandyopadhyay | ||
| 1954 | Shobha | Niren Lahiri | ||
| 1954 | Maa-o-chhele | Gunamaya Bannerjee | ||
| 1954 | Kalyani | Niren Lahiri | ||
| 1955 | Sanjher Pradeep | Sudhangsu Mukherjee | ||
| 1955 | Rani Rashmoni | Rajchandra Das | Kali Prasad Ghose | |
| 1955 | Joymakali Boarding | Sadhan Sarkar | ||
| 1955 | Jharer Pare | Debnarayan Gupta | ||
| 1955 | Hrad | Ardhendu Sen | ||
| 1955 | Dasyu Mohan | Mr. Shome | Ardhendu Mukherjee | |
| 1955 | Sabar Upare | Prashanta Chatterjee | Agradoot | |
| 1955 | Upahar | Sunil’s father | Tapan Sinha | |
| 1955 | Shribatsa Chinta | Phani Burma | ||
| 1955 | Prashna | Sumitraʼs Father | Chandrasekhar Bose | |
| 1955 | Debi Malini | Niren Lahiri | ||
| 1955 | Dattak | Kamal Ganguly | ||
| 1955 | Kalo Bou | Silpi Sangha | ||
| 1955 | Katha Kao | Sailajananda Mukherjee | ||
| 1955 | Pather Sheshey | Ardhendu Chatterjee | ||
| 1955 | Bhagaban Sree Sree Ramkrishna Bhagavan Sri Ramakrishna (2017-yil 30-avgustda kirilgan) YouTubeda; | Mathur | Prafulla Chakraborty | |
| 1955 | Drishti | Chitta Bose | ||
| 1955 | Parishodh | Sukumar Dasgupta | ||
| 1955 | Joy Maa Kali Boarding | Sadhan Sarkar | ||
| 1955 | Bratacharini | Kamal Ganguly | ||
| 1956 | Kirti Garh | Soumyen Mukherjee | ||
| 1956 | Shankar Narayan Bank | Niren Lahiri | ||
| 1956 | Asamapta | Ratan Chatterjee | ||
| 1956 | Madan Mohan | Amal Kumar Bose | ||
| 1956 | Putrabadhu | Chitta Bose | ||
| 1956 | Raat Bhore | Mrinal Sen | ||
| 1956 | Sinthir Sindoor | Ardhendu Sen | ||
| 1956 | Trijama | Kushal’s father | Agradoot | |
| 1956 | Suryamukhi | Bikash Ray | ||
| 1956 | Shubharatri | Sushil Majumdar | ||
| 1956 | Saheb Bibi Golam | Mejobabu | Kartick Chattopadhyay | |
| 1956 | Sadhak Ramprosad | Bangsi Ash | ||
| 1956 | Paradhin | Modhu Bose | ||
| 1956 | Daner Maryada | Amarnath | Sushil Majumdar | |
| 1956 | Bhola Master | Bhola Master | Niren Lahiri | |
| 1956 | Asabarna | Pinaki Mukherjee | ||
| 1956 | Falgu | Satish Dasgupta | ||
| 1956 | Rajpath | Gunamaya Bannerjee | ||
| 1956 | Govindadas | Prafulla Chakraborty | ||
| 1956 | Mamlar Phal | Pasupati Chatterjee | ||
| 1956 | Ekdin Ratre | Sombhu Mitra | ||
| 1956 | Chhaya Sangini | Bidyapati Ghosh | ||
| 1956 | Taka-ana-pai | Jyotirmoy Roy | ||
| 1956 | Manraksha | Satish Dasgupta | ||
| 1957 | Prithibi Amare Chay | Niren Lahiri | ||
| 1957 | Adarsha Hindu Hotel | Ardhendu Sen | ||
| 1957 | Khela Bhangar Khela | Ratan Chatterjee | ||
| 1957 | Harishchandra | Rishi Durbasa | Phani Burma | |
| 1957 | Shesh Parichoy | Sushil Majumdar | ||
| 1957 | Rastar Chhele | Chitta Bose | ||
| 1957 | Kabuliwala | Rahmat the Kabuliwala | Tapan Sinha | |
| 1957 | Kancha-mithey | Jyotirmoy Roy | ||
| 1957 | Garer Math | Aaj Production Unit | ||
| 1957 | Pathe Holo Deri | Mallikaʼs father | Agradoot | |
| 1957 | Baksiddha | Bireswar Bose | ||
| 1957 | Antariksha | Rajen Tarafdar | ||
| 1957 | Abhoyer Biye | Sukumar Dasgupta | ||
| 1957 | Kari-o-komal | Moni Ghosh | ||
| 1957 | Bardidi | Ajay Kar | ||
| 1957 | Abhishek | Chitra Pali | ||
| 1957 | Tapasi | Chitta Bose | ||
| 1957 | Madhabir Jonye | Nitin Bose | ||
| 1957 | Chhaya Path | Gunamaya Bannerjee | ||
| 1957 | Mathur | Sudhirbandhu Bannerjee | ||
| 1957 | Ghum | Agrani | ||
| 1957 | Sandhan | Chitta Sen | ||
| 1957 | Natun Prabhat | Bikash Ray | ||
| 1957 | Surer Parashe | Chitta Bose | ||
| 1957 | Bara Maa | Niren Lahiri | ||
| 1957 | Ektara | Hiren Bose | ||
| 1957 | Nilachaley Mahaprabhu | King Gajapati Prataprudradeb | Kartick Chattopadhyay | |
| 1958 | Louha-kapat | Tapan Sinha | ||
| 1958 | Parash Pathar | Guest at Cocktail Party | Satyajit Ray | |
| 1958 | Tansen | Akbar | Niren Lahiri | |
| 1958 | Nagini Kanyar Kahini | Salil Sen | ||
| 1958 | Daily Passenger | Sadhan Sarkar | ||
| 1958 | Daktar Babu | Bishu Dasgupta | ||
| 1958 | Jalsaghar | Huzur Biswambhar Roy | Satyajit Ray | |
| 1958 | Priya | Salil Sen | ||
| 1958 | Surya Toran | Agradoot | ||
| 1958 | Marmabani | Sushil Majumdar | ||
| 1958 | Sadhak Bamakshyapa | Narayan Ghosh (2) | ||
| 1958 | Jamalaye Jibanta Manush | Prafulla Chakraborty | ||
| 1958 | Indrani | Niren Lahiri | ||
| 1958 | Headmaster | Krishna Prasanna (Ex-Head master) | Agragami | |
| 1958 | O Amar Desher Mati | Pathikrit | ||
| 1958 | Nupur | Dilip Nag | ||
| 1958 | Bandhu | Chitta Bose | ||
| 1958 | Dhoomketu | Gouranga Prasad Basu | ||
| 1959 | Derso Khokhar Kando | Kamal Ganguly | ||
| 1959 | Gali Theke Rajpath | Prafulla Chakraborty | ||
| 1959 | Sonar Harin | Mangal Chakraborty | ||
| 1959 | Shubha Bibaha | Bar-da (Gayatri’s father) | Sombhu Mitra | |
| 1959 | Sashibabur Sansar | Sudhir Mukherjee | ||
| 1959 | Mriter Martye Agaman | Pasupati Chatterjee | ||
| 1959 | Khelaghar | Ajay Kar | ||
| 1959 | Kshaniker Atithi | Tapan Sinha | ||
| 1959 | Chaowa Pawa | Tarun Majumdar, Yatrik | ||
| 1959 | Bicharak | Prabhat Mukherjee | ||
| 1959 | Chhabi | Niren Lahiri | ||
| 1959 | Amrapali | Tarasankar Bandyopadhyay | ||
| 1959 | Nirdharita Silpir Anupastithi Tey | Nirmal Dey | ||
| 1959 | Rater Andhakare | Agrani | ||
| 1959 | Thakur Xaridas | Gobinda Ray | ||
| 1959 | Bhranti | Prafulla Chakraborty | ||
| 1959 | Agnisambhabha | Sushil Majumdar | ||
| 1959 | Nrityeri Tale Tale | Sudhirbandhu Bannerjee | ||
| 1960 | Devi | zamindar Kali Kinkar Roy | Satyajit Ray | |
| 1960 | Smriti Tuku Thaak | Shovaʼs father | Tarun Majumdar | |
| 1960 | Shesh Paryanta | Sudhir Mukherjee | ||
| 1960 | Tailangaswami | Chitrasarathi | ||
| 1960 | Shuno Baranari | Ajay Kar | ||
| 1960 | Raja-saja | Bikash Ray | ||
| 1960 | Nader Nimai | Bimal Roy Jr. | ||
| 1960 | Maya Mriga | Chitta Bose | ||
| 1960 | Kshudista Pashan | Tapan Sinha | ||
| 1960 | Hospital | Sushil Majumdar | ||
| 1960 | Surer Piyasi | Bishu Dasgupta | ||
| 1960 | Haat Baralei Bandhu | Sukumar Dasgupta | ||
| 1960 | Gariber Meye | Ardhendu Mukherjee | ||
| 1960 | Sakher Chor | Prafulla Chakraborty | ||
| 1960 | Debarshi Narader Sansar | Panchaboot | ||
| 1960 | Ajana Kahini | Sunil Baran | ||
| 1960 | Chupi Chupi Ase | Beni (Inspector Ghosh) | Premendra Mitra | |
| 1961 | Bishkanya | Shri Jayadratha | ||
| 1961 | Kanchanmulya | Nirmal Mitra | ||
| 1961 | Saptapadi | Krishnendu’s father | Ajay Kar | |
| 1961 | Maa | Chitta Bose | ||
| 1961 | Manik | Bijoli Baran Sen | ||
| 1961 | Dainee | Manoj Bhattacharya | ||
| 1961 | Carey Saheber Munshi | Bikash Ray | ||
| 1961 | Agni Sanskar | Agradoot | ||
| 1961 | Madhya Rater Tara | Pinaki Mukherjee | ||
| 1961 | Madhureno | Shanti Bannerjee | ||
| 1961 | Kancher Swarga | Tarun Majumdar | ||
| 1961 | Ashay Bandhinu Ghar | Kanak Mukherjee | ||
| 1961 | Necklace | Dilip Nag | ||
| 1961 | Swayambara | Asit Sen | ||
| 1962 | Mayar Sansar | Kanak Mukherjee | ||
| 1962 | Bodhu | Bhupen Roy | ||
| 1962 | Sorry Madam | Dilip Bose | ||
| 1962 | Kancher Swarga | Judge | Tarun Majumdar | |
| 1962 | Kanchenjungha | Indranath Chowdhury | Satyajit Ray | |
| 1962 | Agnisikha | Rajen Tarafdar | ||
| 1962 | Bipasha | Saradindu Chatterjee | Agradoot | |
| 1962 | Shubhoddristi | Chitta Bose | ||
| 1962 | Dhupchhaya | Chitta Bose | ||
| 1962 | Dada Thakur | Dada Thakur | Sudhir Mukherjee | |
| 1962 | Suryasnan | Ajay Kumar | ||
| 1962 | Atal Jaler Ahwan | Mr. Chowdhury | Ajay Kar | |
| 1962 | Shiulibari | Pijush Bose | ||
| 1962 | Kajal | Sunil Bannerjee | ||
| 1963 | High Heel | Dilip Bose | ||
| 1963 | Surya Sikha | Salil Dutta | ||
| 1963 | Chhakka Panja | Prafulla Roy | ||
| 1964 | Kantatar | Bireshwar Mukherjee | ||
| 1973 | Bignam O Bidhata | Bimal Roy Jr. | ||
| 1977 | Shri Shri Maa Lakshmi | Prabhat Chakraborty | ||
| 1982 | Agni sambhaba | Sushil Majumdar | ||
| 2007 | Bandhu | Chitto Bos | (final film role) |
Mukofotlari
tahrir- 1960-yilda Sangeet Natak Akademi mukofoti
Manbalar
tahrir- ↑ Seagull Theatre Quarterly. Seagull Foundation for the Arts, 1998 — 54-bet. Qaraldi: 2012-yil 31-oktyabr.
- ↑ Rekha Menon. Cultural profiles. Inter-National Cultural Centre, 1961 — 47-bet. Qaraldi: 2012-yil 31-oktyabr.
- ↑ Ray, Satyajit. "The Odds against Us, " in Our Films, Their Films. New York: Hyperion, 1994, p. 61 ISBN 0-7868-6122-3